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At Midnight I'll Take Your Soul (1964)
"It sounds to me like we’ve got Satan’s badass on our hands. The philosophy of Ze and the film itself are bold and timeless. The darkness in the soul of Ze is unmatched by any other film villain I have yet to see."
Awakening of the Beast (1970)
"I've never seen someone try so hard to be a scary bad-ass and come off as a chia pet-faced dork that is as threatening as a stomach ache. The only effective things in the movie are the shots of people actually jabbing themselves with hypodermic needles."
Cemetery of Terror (1985)
"The kids stumble onto the abandoned house and run into Devlon, who conjures up an army of zombies to chase the kids through the rest of the cemetery. When it came to killing, the film did not disappoint with maximum damage inflicted with a surprising helping of gore."
Don't Panic (1988)
"After the lame party Michael’s real friends show up to get drunk and play Ouija. Michael is a queer young man (who wears dinosaur pajamas all the time), and perhaps that was the funniest part of the movie. So I guess the message is clear. Don’t play with Ouija boards or it will screw up your life and kill your close friends."
El Topo (1970)
"The film plays out like a revisionist western with the violence turned up to 10, at least for the first hour that is. The first master lives in a strange tower and is basically a Hindu guy who has meditated so much or whatever that he can no longer feel pain or bleed that much when he gets shot."
Santa Sangre (1989)
"During a performance one night, Fenix's mom catches his dad doing the dirty to the tattooed hussy and POURS ACID ON HIS JUNK! The dad, in a fit of rage, CUTS OFF THE MOM'S ARMS and then kills himself by cutting his own throat...presumably because he doesn't want to live with a melted dick."
Santo and the Vengeance of the Mummy (1971)
"People start dropping dead as the bow and arrow wielding mummy claims the defilers. The Mexican workers are scared and want to leave, and Santo beats them up to 'convince' them to stay, but they flee the next morning, leaving Santo and a handful of people at camp."
Santo in the Border of Terror (1969)
"The film is basically a warning to Mexican refugees who cross the border daily. On the way home, they are attacked because the girlfriend is hot, and Santo saves them. The evil doctor's body harvesting plans have allowed him to create two zombie-like thugs to aide him in his goal of making enough money to rule the world or something like that."
Snuff (1976)
"The story involves a female biker gang/cult that is lead by a man named Satan. These cult chicks like to bathe topless in muddy lakes, snort drugs and fuck
Satan. In another scene we see how she (Angelica) is initiated into the cult by being fucked in the ass (literally) by (you guessed it...) Satan."
This Night I Will Possess Your Corpse (1967)
"There are still rumors that he is a murderer and a son of the devil. The rumors are apparently true, because he spends most of the movie bullshiting about occult philosophy or some crap like that. Unfortunately, everyone finds out that he kidnapped a shitload of girls and he is chased into the dark woods of a Brazilian warehouse. Then some stupid shit happens, and it goes on way too long, and the movie thankfully ends."
Tintorera (1977)
"They have dinner together, and then they have sex; they explore some ruins and take pictures, and then they have sex; they go swimming and then they have
sex. Basically, that's the whole damn movie, and then Miguel is killed by the shark, Gabriella leaves, and Steven goes out and seeks revenge on the shark. I
also try to forget the fact that they made the shark breath like Darth Vader."
Vacations of Terror (1989)
"Their sister Gaby finds the doll and opens up the door to relentless witch attacks. Things from eggs breaking, lights being turned on and off, to psychic
attacks. She’s thrown at least twice across the room and Julio is flung into a mirror and gets swallowed up in it. The effects are pure crap..."
Vacations of Terror 2 (1991)
"The Witch manages to shrink Mayra and turn her into a sugar statue, which is then placed on the giant cake from before and is set on fire. Julio saves the
sugar doll from the fiery cake and restores her to actual size with another one of his exploding ceramic discs. Sure, it has a dumbass name, and its a sequel
to a movie that probably not many people saw, but its as entertaining as any special effects horror show America ever turned out."
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